O:JA&L FLASH NONFICTION: ALL MILITARY
Flash Memoir, CNF, or Vignette

Charles Jacobson

To Saigon

IN MEMORIAM
Terry L. McClish
Charlie Company
2nd Battalion
7th Cavalry
1st Cavalry Division (1969-1970)

Fill the Land with Smoke by O:JA&L staff creative

J.R., the battalion mail clerk, was obsessed with Australia. “I’ll arrange it. The girls are unbelievable and there’s steak every night.”

“I’ll pass.”

A few weeks later, we were lifting weights. “Hey man.”

“What’s up?”

“Business in Saigon. You might like it.”

I had a bug for Saigon, source of all the trouble at the defense department. “What’s the plan?”

He dropped the weights and wiped his face with a towel. “Job for the Bird. Bring your .45.”

We typed up trip tickets, drew a jeep from the motor pool, and got out onto Route 1, a road somewhat less than thrilling. Occult symbols carved on stone markers sat along the sides. “Buddhist swastikas,” J. R. explained, “for good luck.” Blew my mind.

Everything changed an hour later on Tu Do Street, clogged with taxis, bicycles and scooters of every imaginable type. Hard to believe that a war was being fought next-door.

“You won’t find this in Minneapolis, mate. Look at the life!” exclaimed J. R. He was probing for 2nd gear when he passed a Moped and missed the mark, breaking the parking light, spitting glass into the street. The Moped pulled off onto the sidewalk. J. R. slammed the brakes and stopped amidst panicked children, mothers and old people. “What’s up everybody?”

An angry mob formed screaming bloody murder, smelling money:

“Dịt mẹ.”

“No place like Nam. War never end for you, G.I.”

“Get Lost.”

I calmly worked my gun belt around. The jostling stopped out of respect for Smith & Wesson.

J.R.’s eyes swept the crowd and landed on a girl in a miniskirt and dark glasses smoking a cigarette in a long holder. He stared as he reached for his cheroots. “Whore.” The girl’s shoulders shook under her light-green shirt: “Thằng Mỹ!”

MPs arrived in a jeep. Starched fatigues and polished boots. “What the hell’s going on here?” said the one in the passenger seat.

“We have orders,” said J. R. through a gush of smoke.

“I don’t give two shits about orders. Get the fuck out of here before the White Mice (Saigon police) and the Cowboys (gangs of armed teenagers) show up!”

“Roger that.”

“Damn slants could learn a lesson in gratitude,” said J. R., pulling out with one hand on the wheel.

I followed J. R. into the decaying urban sprawl as if in a Hollywood movie, stopping often, fascinated and a bit scared. We went fast enough, through buildings, rooms, hotels and alleyways in every quarter. Viet war-wounded, street kids, refugees, AWOL GI junkies in doorways, breathed realism into my ideation of Saigon.

My orders didn’t cover an overnight, but I agreed to stay. He took a room and a girl; I had a wife at home.

The next day I was sitting in the warm morning sun alongside J. R. on Route 1, a satchel on my lap, rolling past armed convoys and goofy buses, families with a goat inside and a water buffalo outside.

Life was everywhere.

 

About the writer:
Charles Jacobson has an abiding interest in philosophy and the arts. He lives in St. Louis, Missouri, with a cat who doesn’t love him. His stories and poems have appeared in over twenty publications, on radio, and in Story Collider.

Image: Fill the Land with Smoke (AI-assisted digital image) by O:JA&L staff creative. 2026. Public domain via MidJourney AI.

OJAL Art Incorporated, publishing since 2017 as OPEN: Journal of Arts & Letters (O:JA&L) and its imprints Buttonhook Press, HOT BUTTON PRESS Contemporary Issues, and HIGH BUTTON PRESS Contemporary Art, supports writers and artists worldwide.

The Buttonhook Press Masters Series

The Buttonhook Press Masters Series (from OPEN: Journal of Arts & Letters and its Buttonhook Press imprint) gathers acclaimed writers for concise, downloadable chapbooks that pair fresh work with candid reflections on craft. Each installment—often framed by an interview with an associate editor—opens a window onto how masters of poetry, prose poetry, flash fiction, and related hybrid forms build voice, compression, and surprise. Designed as a reader’s invitation and a writer’s toolbox, the series celebrates literary art that moves fast, cuts deep, and lingers long after the last line.

Click on the titles below to explore or download the free PDF chapbooks.

Prose Poetry and Flash Discourse

The Buttonhook Press Masters Series: Brian Clements on Prose Poetry
With an Interview by Associate Editor Pamelyn Casto

The Buttonhook Press Masters Series: Mark Budman on Flash Discourse
With an Interview by Associate Editor Pamelyn Casto

The Buttonhook Press Masters Series: Ray Gonzalez on Prose Poetry
With an Interview by Associate Editor Pamelyn Casto

The Buttonhook Press Master Series: Michael Martone on Flash Fiction
With an Interview by Associate Editor Pamelyn Casto

The Buttonhook Press Master Series: Roberta Allen on Flash Fiction
With an Interview by Associate Editor Pamelyn Casto

The Buttonhook Press Master Series: Peter Conners on Flash Fiction
With an Interview by Associate Editor Pamelyn Casto

The Buttonhook Press Masters Series: Maxine Chernoff on Prose Poetry
With an Interview by Associate Editor Pamelyn Casto

The Buttonhook Press Masters Series: Pedro Ponce on Flash Fiction
With an Interview by Associate Editor Pamelyn Casto

The Buttonhook Press Masters Series: Kent Dixon on Flash Fiction & Nonfiction
With an interview by Associate Editor Pamelyn Casto

MIixed Forms: Haibun, Haiga, & Tanka Prose

The Buttonhook Press Masters Series: Roberta Beary on Haibun
With an interview by Associate Editor Pamelyn Casto

Experimental Discourse

The Buttonhook Press Masters Series: Jim Meirose on Experimental Discourse (XP)
With an interview by Associate Editor Warwick Newnham

Poetry: All forms & styles

The Buttonhook Press Masters Series: Poetry from Bruce McRae
With an Interview by Associate Editor Jeff Streeby

The Buttonhook Press Masters Series: Poetry from Richard Widerkehr
With an Interview by Associate Editor Jeff Streeby

More titles in press