Mast Head
Publisher
OJAL Art Incorporated (OAI), publishing since 2017 as Open: Journal of Arts & Letters (O:JA&L) and its several imprints, operates from Great Falls, Montana, USA.
O:JA&L maintains the following several imprints to serve our readers and submitters: Buttonhook Press, HOT BUTTON PRESS: Contemporary Controversies, HIGH BUTTON PRESS: Contemporary Art, DALLYPOST PRESS: Cowboy Poetry, FIREFIGHT PRESS: Trench Arts & Letters, and HAL: Heuristic Algorithmic Library.
FOUNDER'S STATEMENT
We founded O:JA&L out of a conviction that literature still matters—not as a form of cultural signaling, but as a way of telling the truth about human life. We believe writing should be grounded in craft, seriousness of thought, and attention to the realities of place, history, and moral consequence.
O:JA&L exists to publish fiction, poetry, essays, and criticism that aim for lasting significance rather than immediate relevance. We are especially drawn to voices shaped outside dominant cultural centers—writers attentive to regional life, inherited communities, and forms of experience too often overlooked by the contemporary literary establishment.
We are faith‑friendly without being devotional, skeptical without being cynical. We welcome work that engages moral, spiritual, and philosophical questions with rigor and openness, and that treats meaning as a legitimate artistic concern rather than an embarrassment to be explained away.
Aesthetically, we value clarity, formal intention, and disciplined imagination. We admire experimentation when it serves meaning, and we resist obscurity, jargon, or theory when they substitute for insight. Literature, for us, should reward careful readers without requiring academic initiation.
We intend for O:JA&L to be the most available and satisfying alternative for writers and readers who feel out of step with the current literary climate—those committed to intellectual independence, accessibility, and depth over fashion or positioning.
Our loyalty is to the work itself, and to the long conversation of literature.
If this vision resonates, we welcome you—as a reader, a writer, or both. O:JA&L exists as a home for those who still believe literature can illuminate the world rather than merely comment on it. We invite submissions and readership grounded in seriousness, independence, and faith in the long conversation of letters.
MISSION STATEMENT
O:JA&L is a literary journal dedicated to publishing fiction, poetry, essays, and criticism of lasting significance. We seek work that combines intellectual seriousness with artistic excellence and that engages enduring human concerns rather than fleeting cultural trends.
The journal is particularly interested in place‑based writing and voices from underrepresented regions of the United States. We value perspectives shaped by lived experience, regional culture, and attentiveness to community, history, and landscape.
O:JA&L welcomes writing that engages moral, spiritual, and philosophical questions with rigor and openness. While not aligned with any ideological program, the journal provides space for inquiry that resists simplification and treats meaning as a serious artistic concern.
We favor work that demonstrates strong literary craft, clarity of voice, and formal intention. Accessibility matters: O:JA&L values writing that rewards careful readers without relying on academic specialization or theoretical frameworks for legitimacy.
O:JA&L exists to support writers committed to depth, independence, and the long conversation of literature.
Executive Editor
Cutter Streeby earned a Bachelor of Arts in English with Honors at University of California, Riverside; a Master of Arts in English Literature from Kings’ College, London, UK; and a Master of Arts in Creative Writing from University of East Anglia, in Norwich, Norfolk, UK. He is the CEO of Grayling and Wraith Agency, Director of Marketing at Tupelo Press, Growth Marketer at Grok Stream, and an entrepreneur.
Associate Editor for Content Development and Production
Jeff Streeby, several times a Pushcart Prize nominee and a nominee for Sundress Publications’ Best of the Net Anthology, earned a Master of Fine Arts degree in poetry from New England College in Henniker, New Hampshire. He is a frequently published mainstream poet and haibunist whose work has appeared in over 40 literary journals in the US, the UK, Ireland, and Asia. He has over 30 years of experience as a teacher of English language and literature at secondary and university levels.
Senior Associate Editor
Pamelyn Casto is the author of Flash Fiction: Alive in the Flicker, A Portable Workshop. She has published articles on flash fiction in Writer’s Digest, Fiction Southeast, Writing World (and elsewhere). She has an essay in Rose Metal Press’s Field Guide to Writing Flash Fiction: Tips From Editors, Teachers, and Writers in the Field and her 8,000-word essay on flash fiction is included in Books and Beyond: The Greenwood Encyclopedia of New American Reading. She also has a 5,000-word article on flash fiction as the lead article in Critical Insights: Flash Fiction. She is a frequently published writer of poetry, short stories, and essays. Subscribe to her free online monthly Flash Fiction Flash newsletter for markets, contests, and publishing news.
Associate Editor for Content Development: Prose Discourse 1001-10,000 words
James Weitz is a writer and author of the novel, Gonzo Global Inc., a legal satire of globalization in which Mexican tap water is exported to the United States and sold as a laxative. He has lived in Asia and Latin America for most of the previous 18 years. During that time, Weitz has worked as a technical editor and taught ESL, composition and law at schools and universities in Latin America, and throughout the sinosphere. Previously, he worked on anti-corruption issues at the Organization of American States. His stories, essays and travel writing have appeared in multiple journals, Including the Mekong Review, TakiMag, Aporia Magazine, Open Journal of Arts and Letters, and many others. Weitz has a Master of Arts in Applied Linguistics with a focus on cross-cultural communication, and a Juris Doctor.
Associate Editor for Content Development and Senior Editor for Experimental Discourse
W.J.P. Newnham hitchhiked around Australia working as barman, bum and waiter, slaughter hand, deckhand and master, spending 25 years working in the Northern Prawn Fishery. He has travelled extensively in Southeast Asia, the Americas, and Japan and speaks marketplace Indonesian with some fluency. He is the winner of the 2016 The Lifted Brow’s Experimental Non-fiction Prize. His numerous short stories have been published in Nocturnal Submissions, Overland , The Lifted Brow, Meanjin, Westerly and Horror Sleaze Trash [to name but a few].
Associate Editor for Content Development: Flash Discourse
Richard Holeton is author of the cult classic hypertext novel Figurski at Findhorn on Acid, other widely-exhibited electronic literature, college textbooks and scholarship, and short fiction in Mississippi Review, ZYZZYVA, Cimarron Review, O:JA&L, and many other journals. He’s been awarded fellowships from the National Endowment for the Arts, MacDowell, the California Arts Council, and the Henfield Foundation, and his stories have been nominated for Pushcart and Best American awards. A writing instructor at Stanford University for many years, he earned his BA in Creative Writing from Stanford and MA and MFA degrees from San Francisco State. He lives in the Bay Area on unceded ancestral land of the Ramaytush Ohlone.
Guest Editor and Special Contributor
Ibrahim Nureni is a writer, book reviewer, and critic whose haiku have been published in various literary journals, including The Mamba Journal, Acorn, and Heron’s Nest. He has made significant contributions to the literary field through his engagement with the Open Journal of Arts & Letters, Baram House, Wawa Book Review, and others. Currently, he is a 2015 Fellow of Harrison Middleton University’s Humanities in the Ideas program, where he writes reviews and engages in discussions with faculty and students on topics related to natural science, philosophy, literature, and more. Additionally, he is a Fellow of the Bill Anderson Fund. Ibrahim is a member of the Africa Haiku Network.
Editorial Assistant and Reader-in-Performance for O:JA&L YouTube channel
J.L. Williams’ poetry explores memory and emotion through lyrical introspection and themes of environmental and social awareness. Her work captures tension between tenderness and unrest. She has academic publications in science and law, alongside poetry and prose featured in journals such as Wingless Dreamer and Silent Spark Press, and is a new voice in voiceover.
Guest Performance Artist, Special Oral Interpretations
Nishi Munshi has been an actor, singer, musician and choreographer/dancer in the entertainment industry for fifteen years. Her acting credits include working with NBC, CBS, USA Network, FOX, Warner Bros., Lifetime and other networks on shows such as “Jane the Virgin,” “The Originals,” “Bones,” “Pretty Little Liars,” “Switched at Birth,” “Days of Our Lives,” and many more. Being a skilled Classical (Kathak, Bharatnatiyam) and Bollywood dancer, she has choreographed for and danced with prominent artists Shakira, Jennifer Lopez, Justin Bieber, Jason Derulo and with Michael Jackson’s Cirque ONE show. She is an advocate for human rights and has served as a board member for Valley Family Center (victims of domestic violence) volunteered many hours of her time at the Braille Institute and as a tutor and mentor for at-risk youth in Los Angeles. Her Webisodes, Youtube videos, a book of poetry and the novel that she is currently working on are aimed to raise funds for the people of Puerto Rico, human rights activism and for educating our at-risk youth both in America and abroad.
Assistant Editor as Liaison for Two-Year College Caucus at AWP
Marla J. Jarmer earned her BA in Theatre (Directing) from the Herberger College of Fine Arts and from the Barrett Honors College at Arizona State University and her MA in English at Fort Hays State University. She is a professor of rhetoric and composition, the writing center director, and the editor of Waiting for Rain at Danville Area Community College in Danville, Illinois, where she has been awarded both the A. L. Webster Endowed Chair (2016) and the Dorothy Duley Endowed Chair (2014 and 2017). She is the co-editor and a contributing author of The Bully Pulpit, Presidential Speeches, and The Shaping of Public Policy (2015) and has published works of poetry, short fiction, and creative non-fiction.
