Pamelyn Casto A Close Reading of Octavio Paz’s “The Blue Bouquet” Read the story "The Blue Bouquet" by Octavio Paz. Or read it in Short Shorts: An Anthology of the Shortest Stories, edited by Irving [...]
Rachel Custer Poetry Editor, Reviewer, Editorialist The Artistic Power of Silence: On Letting Art Speak for Itself "Silencio" by Odilon Redon The power of art lies in its ability to transcend the [...]
Рейчел Кастер Редактор Поэзии, обозреватель, автор передовых статей “Глухая Республика" и шум в Twitter: призыв к радикальному молчанию "Deaf Republic" from Graywolf Press Книга Ильи Каминского “Глухая Республика" явно переживёт автора, что уже [...]
Rachel Custer Poetry Editor, Reviewer, Editorialist The Poem as Sacred Ground: Radical Silence in Action 'The Christ of Silence" by Odilon Redon Silence (To Eleonora Duse) We are anhungered after solitude, Deep stillness [...]
Samuel Moore-Sobel My New Face "Mask" by Shelley Sarna “I am going to take your vitals,” the nurse says calmly. She takes my temperature and places the blood pressure reader around my upper [...]
Памелин Касто Малая и, вероятно, необходимая проза "Still Lifewith Books and Musical intruments" by Jan Vermeulen О растущей популярности и даже необходимости малой прозы, венский мыслитель и мастер краткой литературы Альфред Польгар (1873-1955) [...]
Rachel Custer Poetry Editor, Reviewer, Editorialist Deaf Republic and Twitter Noise: A Call to Radical Silence "Deaf Republic" from Graywolf Press Ilya Kaminsky’s Deaf Republic is a book that will outlive its author, [...]
Pamelyn Casto A Close Reading of Milos Macourek's "Jacob's Chicken." The story can be read in Sudden Fiction (Continued). Edited by Robert Shapard and James Thomas. New York & London: W.W. Norton & Co., 1996. [...]
Rachel Custer Songs on the Way to God: A Theory of Poetics Russian version (translated by Vera Falenko) "Znamenskaya Church: View No. 11" by Denis Frantsouzov Рейчел Кастер Песнь на пути к [...]
Rachel Custer Songs on the Way to God: A Theory of Poetics I don’t always feel confident with the jargon of poetic craft, that foreign language exclusive to literary spaces I so often cannot afford [...]
